A forma como resultante do processo composicional de Gyorgy Ligeti no primeiro livro de estudos para piano / The form as a result of Gyorgy Ligeti s compositional process in the first book of studies for piano

AUTOR(ES)
DATA DE PUBLICAÇÃO

2005

RESUMO

The Form as a Result of Gyõrgy Ligeti s Compositional Process in the First Book of Etudes for Piano emphasizes aspects of Ligeti s Etudes that establish them among the best exponents of contemporary pianistic repertoire, not only by their compositional substance, but also by their innovative approach of the possibilities offered by the piano. Thus, the thesis is organized in three chapters: CHAPTER 1 - The Composer: Gyõrgy Ligeti. This chapter deals with a chronological study of the diverse periods of the composer s biography, identifying events that direct1y influenced his personal and artistic development. It puts into context the composer and his works within the artistic and cultural scenario of the XX and XXI centuries. This work has established a record of texts and interviews of the composer which are essential in the full comprehension of the Etudes for Piano. CHAPTER 2 - The Work: First Book of Etudes for Piano. Afier a brief historical overview ofthe composer s piano works - from the Hungarian period to the Etudesofthe 80 s - this chapter surveys and analyzes the compositional process employed by the composer in the Etudes, focusing on specific musical aspects and above all, how these aspects contributed to the individual form of each Etude. CHAPTER 3 - Considerations on the Performance and Pianistic Interpretation of the Etudes for Piano by Gyõrgy Ligeti, with Special Focus on "Cordes à vide". This chapter offers altematives that are intended to improve the pianstic performance of the work, using Cordes à vide as the object for study. It will not only address, the technical pianistic aspects that were observed during the process of study and preparation of the piece, but also interpretive aspects, supported by information contained in the score and on conclusions extracted from the musical analysis

ASSUNTO(S)

performance (arte) performance art forma musical apreciação piano musica - analise musica 20th century musical analysis music piano musical form

ACESSO AO ARTIGO

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