âSem ordi nÃo hà porgueÃo e nÃis sÃmo desordero!â: humor, parÃdia e vida urbana em Alvarenga e Ranchinho (1930/40) / âSem ordi nÃo hà porgueÃo e nÃis sÃmo desordero!â: humor, parody and urban life in Ranchinho and Alvarenga (1930/40)

AUTOR(ES)
FONTE

IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia

DATA DE PUBLICAÇÃO

03/09/2011

RESUMO

The humorous representation of the Brazilian history could always be perceived in several artistic formats: images, movies, literary texts, theatrical pieces and also in the music. In the folk music, beyond the conception the act of telling âjokesâ, it was assumed, sporadically, a character scenic, performative and grotesquely. Thinking on this question, I seek in this work to analyze the main humorous productions of the hillbilly duo partner, observing, especially, a articulation between comic features used - satire and parody - with the current issues in the social environment of the 1930s and 1940s. However, you must understand artistic production within the field of various socio-cultural transformations that prevailed at the time, once it was from these very changes that hillbilly music could find space to face the urban prejudice city â through appropriation of this ânewâ representation of the hillbilly â ensuring, this way, its own identity.

ASSUNTO(S)

humor historia hillbilly music satire parody urban life alvarenga e ranchinho humor alvarenga e ranchinho vida urbana parÃdia sÃtira mÃsica caipira

ACESSO AO ARTIGO

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