Territoires de l Oubli : Continuum, Process and listening - a performance conception / Continuum, Processo e Escuta em Territoires de l Oubli : concepção de uma interpretação

AUTOR(ES)

Lucia Cervini

DATA DE PUBLICAÇÃO

2008

RESUMO

This thesis connects theoretical framework to interpretative perspective. It discusses Spectral Music in the context of piano performance. This research aimed to develop an interpretative conception for Tristan Murail?s Territoires de l´Oubli. Three aspects were studied along this goal: incorporation of the Continuum notion, study of the Process idea and the importance of sound perception. In line with these three points, there is a theoretical review covering articles from the composer Tristan Murail to texts from Hugues Dufourt, Joshua Fineberg, Philippe Leroux, Jérôme Baillet, Nicholas Cook, among others. To elucidate issues on piano performance, this text presents notes of the Martine Joste?s Contemporary Piano Atelier and a Master Class with the pianist Dominique My and also an interview with the composer himself. From the interaction between theoretical perspective and interpretative immersion, it was possible to analyze aspects of Territoires processes converging to a musical realization. Such as a sound synthesis method, the piece constituent processes were analyzed to be re-integrated in a performance conception

ASSUNTO(S)

piano performance interpretação pianistica spectral music musica espectral

Documentos Relacionados

• CATENARY DOME OF FIBER SOIL STRUCTURED WITH BAMBOO - CONCEPTION AND CONSTRUCTIVE PROCESS
• O continuum, os reais e o conceito de homogeneidade
• Uma abordagem sistêmica para o processo de produção em engenharia web, na fase de concepção.
• Escuta e verdade :uma interpretação a partir de Foucault e Heidegger
• Structuring processes through the listening of electroacustic music