The influence of the soudtrack on the perception of the cinema art : an analysis of the Brazilian movies Bye bye Brasil, Pra frente Brasil and Central do Brasil / A influencia da trilha sonora sobre a perceção da obra cinematografica : a analise filmica de Bye bye Brasil, Pra frente Brasil e Central do Brasil

AUTOR(ES)
DATA DE PUBLICAÇÃO

2008

RESUMO

Integrating piece of the audiovisual composition, the soundtrack establishes a dialog with the visual world, providing a better elaborated movie and facilitating the development of its language. The objective of this thesis is to perform a deep and thorough analysis of the sound elements of the Brazilian movies "Bye Bye Brasil" (1979) from Carlos Diegues, "Pra Frente Brasil" (1982) from Roberto Farias and "Central do Brasil" (1998) from Walter Salles. The subject movies were chosen due to their leading exposure and relevance in their respective decades. The time component of this work also allowed the discussion and assessment of the technologic and esthetic evolutions of the sound within the Brazilian cinema along the last decades. On top of revisiting some of the important facts of the history of Brazil from the perspective of the cinema, this work also contributes to the discussions around the sound and the music in the Brazilian cinema, expanding the bibliography on the subject

ASSUNTO(S)

música de cinema soundtrack cinema brasileiro brazilian cinema trilha sonora song canção film music

ACESSO AO ARTIGO

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