Dance Technique
Mostrando 1-12 de 21 artigos, teses e dissertações.
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1. Dança: possibilidades e aceitação como produto turístico / Dance: opportunities and acceptance as a tourism product
Dance, in its different modalities, is directly and closely related to tourism, due to aspects of a culture and social nature inherent to it. We can therefore classify dance as a tourism product, in terms of the production of local attractiveness. We also identify a favorable relationship between the hotel sector and dance as a tourism attraction, as the hot
IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia. Publicado em: 23/04/2012
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2. Criação em dança : um estudo da relação corpo, gravidade e verticalidade a partir da técnica do ballet clássico / Creation in dance : a study of the relation body, gravity and verticality based of the classical ballet technique
Na técnica do ballet clássico, sob o ponto de vista do estudo de seus conceitos e princípios, de sua trajetória e permanência na formação técnica e expressiva de bailarinos ao longo dos últimos séculos, constatamos que um elemento lhe confere uma característica própria entre as técnicas de dança: a verticalidade. Nesse contexto, esta pesquisa �
IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia. Publicado em: 04/08/2011
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3. A dança dos orixás de Augusto Omolu e suas confluências com a antropologia teatral
The focus on this work is based on the Orixás Dance developed by Augusto Omolu in a transcultural perspective that combines the principles of formation that belongs to Eugenio Barbas Theatrical Anthropology and utilized by actors and dancers. Here, I present the results of this Field research that occurred on Salvador (Bahias State Capital) on the first sem
IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia. Publicado em: 28/02/2011
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4. Which is the body dances? : dance and somatic education for building a scenical body / Qual e o corpo que danca? : dança e educação somatica para a construção de um corpo cenico
The present work has as objective to deepen into the research of Klauss Vianna Technique as a corporal practice for constructing a scenic body by means of analyzing a personal process stemming from my experience as dancer, instructor and researcher of the movement. This thesis has four main axels: understanding Viannas principles and their unfolding on a c
Publicado em: 2010
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5. A técnica como dispositivo de controle do corpomídia / Technique as an Instrument of Bodymedia Control
Corporal technique has been defined by Western Common Sense as being a mechanical repetition that disciplines the body with a specific purpose in mind. This thesis proposes to destabilize traditional dichotomies of the theory-practice and mind-body type that have been responsible for the longevity of some ontological metaphors such as the body-recipient and
Publicado em: 2010
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6. The myth of the goddess Kali revealed in dance from modified states of conscience / Kaligrafia : o mito da deusa Kali revelado na dança a partir de estados alterados de consciencia
This dissertation deals with the process of creation and construction of the scenic body in dance inspired by the myth of the Kali Goddess - the female Goddess that belongs to Hinduism, considered one of the representations of the vital nature of human existence, to whom is assigned the destruction and recreation of the universe through its power of transfor
Publicado em: 2009
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7. Técnica e(m) criação somática: uma proposta corporal para artistas cênicos com (d)eficiência física através dos princípios e fundamentos corporais Bartenieff.
The propose of this study is to formulate a methodological proposal of body training for dancers with physical disabilities based on experimentations with the Somatic Integration of the Bartenieff Fundamentals. Adding to the proposal the interest in developing experiences and discoveries relating to the body with physical disability, aiming to contribute in
Publicado em: 2009
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8. From dream to stage : a proposal of creation process through unconcious images / Do sonho a cena : uma proposta de criação coreografica por meio de imagens inconsciente
The challenge of this search was the discovery and the construction of a new creation process that came from the unconscious images and could reach the scenic space structured as a choreography work, with the less conscious interference possible. The encounter with Jung theory, the Analytical Psychology, brings concepts who echoed as a possibility of way to
Publicado em: 2009
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9. The Terena child: the dialog between indian education and school education in Buriti village. / A criança Terena: o diálogo entre a educação indígena e a educação escolar na aldeia Buriti
This work aims to research the intricate educational relation experienced by the Terena child, having as specificity to investigate the relation verified between the indian education and the school education, in the Terena of Buriti village, localized at Dois Irmãos do Buriti. Linked to the Master Educational Program, in Universidade Católica Dom Bosco, in
Publicado em: 2009
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10. O TRABALHO DOS BAILARINOS PROFISSIONAIS DE UMA COMPANHIA DE DANÇA CONTEMPORÂNEA uma perspectiva psicodinâmica
This is a descriptive-exploratory case study with the general aim of investigating the work context of professionals of a contemporary dance company in the state of Goias, based on the speech of the dancers. The specific objectives of the study are to: a) understand the work context of professional dancers of a contemporary dance company and collaborate with
Publicado em: 2008
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11. Sobre treinamentos técnicos de dança como coleções de artefatos cognitivos.
Como os treinamentos técnicos de dança criam domínios específicos de problemas, e como estão relacionados à atividade criativa e, principalmente, ao aprendizado? Descrevemos e analisamos treinamentos técnicos de dança como coleções de artefatos cognitivos, uma noção recentemente sistematizada por Andy Clark. Artefatos cognitivos são artefatos n�
Publicado em: 2008
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12. Paramentros fisiologicos, motores e morfologicos de bailarinas classicas / Physiological, morphological and motor parameters in classical ballet dance players
The aims of this study were: make the anthropometrics profile and body composition in classical dancers; Check through specific tests the flexibility, the agility, the explosive strength of lower limbs and the cardio respiratory capacity in the dancers; analyze the levels of blood lactate concentration blood and the its removal kinetics after two different s
Publicado em: 2007