Dancer Actor
Mostrando 1-8 de 8 artigos, teses e dissertações.
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1. A composição como decomposição : um olhar sobre a criação em dança = Composition as decomposition : an insight regarding the dance creation / Composition as decomposition : an insight regarding the dance creation
This research presents a study about composition as a decomposition process in dance, from the performance s actor-dancer experience point of view. We performed a theoretical investigation regarding the formal elaboration process in dance and its building elements suggested by the references, mainly Dantas (1999) and Smith-Artaud (2000). In order to incorpor
IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia. Publicado em: 07/08/2012
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2. A dança dos orixás de Augusto Omolu e suas confluências com a antropologia teatral
The focus on this work is based on the Orixás Dance developed by Augusto Omolu in a transcultural perspective that combines the principles of formation that belongs to Eugenio Barbas Theatrical Anthropology and utilized by actors and dancers. Here, I present the results of this Field research that occurred on Salvador (Bahias State Capital) on the first sem
IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia. Publicado em: 28/02/2011
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3. Na Mata tem esperança : encontros com o corpo sambador no cavalo marinho / Na Mata tem esperança : meetings with cavalo maribho dancers body
In this dissertation, the experiences generated from encounters with the cavalo marinho play - a popular Brazilian folk tradition of the Northern Mata Zone of Pernambuco State - are approached both critically and reflexively. The aim of this research was the appropriation of elements of this game to be used in professional training procedures of actor-dancer
Publicado em: 2010
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4. Bailarino-ator-autor : a experiência do corpo biográfico no fazer de companhias gaúchas / Dancer-author-actor: the experience of the biographical body
O estudo busca contribuir para a reflexão sobre a experiência do bailarinoator sobre a cena contemporânea, onde se exige a presença de um corpo concreto, mas igualmente um corpo pensamento; um corpo capaz de captar seu espaço exterior e ao mesmo tempo um corpo transparente, revelador de seu avesso. Na intersecção dança e teatro, o estudo reconhece o
Publicado em: 2009
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5. Antonio Nobrega: the musical-poetical-linguistic expression of a popular artist from Pernambuco, Brazil / Antônio Nóbrega : a expressão linguístico-poético-musical de um brincante pernambucano
This doctorate dissertation has as its aim to deal with the musical-poetic- linguistic universe in which Antonio Nóbrega, an artist from the state of Pernambuco, Brazil, expresses himself as singer, composer, actor, dancer, violinist, and rebec player, taking as its basis three fields of the Portuguese language: stylistics, semantics and dialectology. The s
Publicado em: 2006
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6. Body and communication in process: The principle of tension in the experience of taanteatro / Corpo e comunicação em processo: o principio tensão na experiência Taanteatro
The principle purpose of this masters degree dissertation is the study of communication as a dynamic process in which all kinds of mediations are related to a principle of tension. This principle is based on the hypothesis that the body is the primary media of the communication process upon which all other medias are based, and to which they return. In this
Publicado em: 2006
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7. A personagem desconstruida : argumentos para uma arte cenica não-logocentrica
The current paper is dedicated to the study of character, play and performing arts, by which its main aim is to study the character based on the concept of Deconstruction postulated by Jacques Derrida. Grounded on a postmodern and post-structuralist approaches, this research is directed by the following question: is there a character to be created or built b
Publicado em: 2005
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8. A percepção energetica como guia para a composição de poeticas corporais
This dissertation intends to discuss the relationship between the conscious utilization of Chinese Energy Conception ("Qi") and the creative processes development that could be able to dialogue with the present society; thus contributing to the technical and creative formation of actors-dancers, through the verification of the influence of energetic percepti
Publicado em: 2003