History Of Brazilian Music
Mostrando 1-12 de 60 artigos, teses e dissertações.
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1. Habitus e campo violonÃstico nas instituiÃÃes de ensino superior do Cearà / Habitus and of the guitar field in Higher Educational Institutions of CearÃ
This dissertation analyzes the constitution of the guitar field in Higher Educational Institutions of Cearà â HEI and the habitus of professors who work in those spaces. Pierre Bourdieuâs praxeology composes the main theoretical support of the research. Based on the categories of habitus, field and capitals, one develops an analysis that discusses the age
IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia. Publicado em: 16/10/2012
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2. Educação musical escolar em Sergipe: uma análise das práticas da disciplina Canto Orfeônico na Escola Normal de Aracaju (1934-1971) / School music education in Sergipe: an analysis of the practices of the subject Choral Music in the Normal School of Aracaju (1934-1971).
This paper aims to analyze the practices of the subject Choral Music in the Normal School of Aracaju, in the period 1934 to 1971. The importance of this research is in the fact of informing, through of evidence, the existence of school music education, still in the imperial period. This teaching, gradually, has developed, assumed goals, methods, different op
IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia. Publicado em: 25/09/2012
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3. A menina boba e a discoteca / The silly girl and the music library.
This dissertation proposes to analyze, interpret and highlight the performance of the musicologist Oneyda Alvarenga, as director of São Paulo Municipal Public Record Collection (current Oneyda Alvarenga Record Collection), bringing to light his profile of poet, musicologist and ethnologist, and of Mario de Andrade, as Director of the City Department of Cult
IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia. Publicado em: 24/08/2012
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4. Os espaços para a música contemporânea / The spaces of musical performance
This paper proposes an investigation into the spaces of musical performance and its relationship with the music presented on these, with special focus on contemporary classical music. This proposal is justified from the verification of a dichotomy between the architectural design of these spaces, and the music that presented on them in a repertoire of mostly
IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia. Publicado em: 17/05/2012
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5. Os modos de dizer e de fazer (d) a convivência: enunciados e invenções de semiárido.
The performance of some institution in Brazilian Semi-arid followed the production, distribution and sell from several materials which try to propagate the enunciation knowledges and sayings from convenience. The purpose of this work is to questionate the discourse of acquaintance with the Semi-arid which is transmitted by the cordéis and songs aiming to ap
IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia. Publicado em: 30/03/2012
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6. âSem ordi nÃo hà porgueÃo e nÃis sÃmo desordero!â: humor, parÃdia e vida urbana em Alvarenga e Ranchinho (1930/40) / âSem ordi nÃo hà porgueÃo e nÃis sÃmo desordero!â: humor, parody and urban life in Ranchinho and Alvarenga (1930/40)
The humorous representation of the Brazilian history could always be perceived in several artistic formats: images, movies, literary texts, theatrical pieces and also in the music. In the folk music, beyond the conception the act of telling âjokesâ, it was assumed, sporadically, a character scenic, performative and grotesquely. Thinking on this question, I
IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia. Publicado em: 03/09/2011
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7. A edição crítica e revisada dos noturnos para piano de Almeida Prado / A edição crítica e revisada dos noturnos para piano de Almeida Prado
In order to contribute to a still scarce bibliography of works that involve the edition of scores, this paper presents a critical and revised music edition of the last nine nocturnes for piano composer Almeida Prado, from its original manuscripts. An edited score facilitates the reading of the performer and contributes to the dissemination of those works. Th
IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia. Publicado em: 01/07/2011
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8. O maestro e sua atuação artística na igreja evangélica Assembléia de Deus sede do ministério do Belém: São Paulo - SP (1960/2010)
The main reason of this work is to show historical dates of the Whituntides of Brazil and the evangelical church "Assembléia de Deus" with the headquarter "Ministério do Belém" and his education proceedings relating to music and arts. The "Ministério do Belém", one of the majors and eldest headquarters of "Assembléias de Deus", is a Brazilian instituti
IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia. Publicado em: 21/02/2011
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9. Cantando a própria história / Not informed by the author
This work intends to perform a reading of caipira music, its components and its main representative: the brazilian ten-string guitar, here approached from the standpoint of its social and musical history. In this consideration we will question some concepts, which have already been developed by other writers, on country music and its relationship to the phon
Publicado em: 2011
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10. O samba em pessoa: narrativas das Velhas Guardas da Portela e do Império Serrano / Samba in the first person: narratives from the Old Guards of Portela and Império Serrano
A presente dissertação trata das narrativas de experiências pessoais de velhos sambistas. O corpus documental é constituído de sambas e narrativas feitos por participantes dos conjuntos musicais chamados Velha Guarda da Portela e Velha Guarda do Império Serrano. As histórias de vida de sambistas e pastoras, produzidas adotando os procedimentos da hist
Publicado em: 2011
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11. Entre corpos, tempos e sujeitos : ciências, políticas e artes improvisando identidades / Between bodies, times and subjects : sciences, politics and arts improvising identities
This dissertation concerns the ways that science and art are responsible for the creation of politics that have an effect on bodies, times and subjects. Science is discussed in so much as it mobilizes and is mobilized in a politics of identity, taking as a point of departure the topic of race and racism in Brazil; and the strategies adopted by the forces of
Publicado em: 2011
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12. A historiografia da música popular no Brasil (1971-1999) / The historiography of popular music in Brazil (1971-1999)
Esta tese apresenta um estudo da historiografia da música popular no Brasil, realizada nos programas de pós-graduação em História, nos estados de São Paulo e do Rio de Janeiro, no período delimitado entre o início da década de 1970 até o final da década de 1990. A pesquisa identifica e analisa temáticas, conteúdos, abordagens, conceitos, fontes
Publicado em: 2010