Irish Theatre
Mostrando 1-12 de 13 artigos, teses e dissertações.
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1. Language, Translation, and the Irish Theatre Diaspora in Quebec
Abstract: This article argues for the inclusion of Québécois translations of Irish plays as part of the Irish theatrical diaspora. The presence of an Irish diaspora in North America was mainly the result of massive waves of immigration, in large part due to the Great Famine, peaking during the mid-nineteenth century before gradually abating. This diaspora
Ilha Desterro. Publicado em: 2020-08
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2. Performance and Diaspora: Irish Theatre in its International Contexts
Abstract: This article argues for the inclusion of Québécois translations of Irish plays as part of the Irish theatrical diaspora. The presence of an Irish diaspora in North America was mainly the result of massive waves of immigration, in large part due to the Great Famine, peaking during the mid-nineteenth century before gradually abating. This diaspora
Ilha Desterro. Publicado em: 2020-08
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3. Lonergan, Patrick. Irish Drama and Theatre Since 1950. Methuen, 2019.
Abstract: This article argues for the inclusion of Québécois translations of Irish plays as part of the Irish theatrical diaspora. The presence of an Irish diaspora in North America was mainly the result of massive waves of immigration, in large part due to the Great Famine, peaking during the mid-nineteenth century before gradually abating. This diaspora
Ilha Desterro. Publicado em: 2020-08
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4. Jordan, Eamonn. The Theatre and Films of Conor McPherson: Conspicuous Communities. Methuen, 2019.
Abstract: This article argues for the inclusion of Québécois translations of Irish plays as part of the Irish theatrical diaspora. The presence of an Irish diaspora in North America was mainly the result of massive waves of immigration, in large part due to the Great Famine, peaking during the mid-nineteenth century before gradually abating. This diaspora
Ilha Desterro. Publicado em: 2020-08
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5. Sihra, Melissa. Marina Carr: Pastures of the Unknown. Palgrave, 2019.
Abstract: This article argues for the inclusion of Québécois translations of Irish plays as part of the Irish theatrical diaspora. The presence of an Irish diaspora in North America was mainly the result of massive waves of immigration, in large part due to the Great Famine, peaking during the mid-nineteenth century before gradually abating. This diaspora
Ilha Desterro. Publicado em: 2020-08
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6. Dion Boucicault: showman and shaughraun
Abstract: Dion Boucicault’s three Irish plays: The Colleen Bawn (1860), Arrah-na-Pogue (1864) and The Shaughraun (1874), while not critically significant, owe their perennial popularity to their appeal to Irish romantic nationalism and to their memorable character types. While Boucicault’s character Myles Murphy or Myles na gCopaleen (Myles of the Ponies
Ilha Desterro. Publicado em: 2020-08
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7. Domesticity in the Trilogies of Sean O’Casey and Yu Ch’i-jin
Abstract This article examines the portrayal of the domestic realm in both Irish playwright Sean O'Casey's 1920s Dublin Trilogy and Korean playwright Yu Ch'i-jin's 1930s Nongchon trilogy. I argue that Yu echoes O’Casey’s staging of nationhood by focusing on the homeland and the home, as he deems O’Casey’s methods to be most successful for catering to
Ilha Desterro. Publicado em: 2020-08
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8. Haughton, Miriam. Staging Trauma: Bodies in Shadow. Palgrave Macmillan, 2018.
Abstract This article examines the portrayal of the domestic realm in both Irish playwright Sean O'Casey's 1920s Dublin Trilogy and Korean playwright Yu Ch'i-jin's 1930s Nongchon trilogy. I argue that Yu echoes O’Casey’s staging of nationhood by focusing on the homeland and the home, as he deems O’Casey’s methods to be most successful for catering to
Ilha Desterro. Publicado em: 2020-08
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9. Lanters, José. The Theatre of Thomas Kilroy: No Absolutes. Cork UP, 2018.
Abstract The Irish playwright Dion Boucicault (1820-1890) spent most of his career in the United States, where he established himself, adapting crucial moments of Irish history to the stage. Robert Emmet (1884), a play produced at the end of his career, arouses questioning surrounding its authorship. The dramatic text was arguably written by the playwright F
Ilha Desterro. Publicado em: 2020-08
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10. Dion Boucicault’s Robert Emmet?: The Question of Authorship and the Season Premiere at the McVicker's Theatre, Chicago, on November 5, 1884
Abstract The Irish playwright Dion Boucicault (1820-1890) spent most of his career in the United States, where he established himself, adapting crucial moments of Irish history to the stage. Robert Emmet (1884), a play produced at the end of his career, arouses questioning surrounding its authorship. The dramatic text was arguably written by the playwright F
Ilha Desterro. Publicado em: 2020-08
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11. The vision of the supernatural in Conor McPhersons plays / A visão do sobrenatural nas peças de Connor McPherson
The present dissertation examines different elements of the supernatural found in three plays by the Irish playwright Conor McPherson: St Nicholas (1997), The Weir (1997) and The Seafarer (2006). The supernatural is a recurrent feature in McPhersons work, although he makes use of different elements in each of his plays with the aim of depicting the anxieties
Publicado em: 2010
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12. Intolerance, confrontation and violence in Martin Mcdonagh play / Intolerância, confronto e violência no teatro de Martin McDonagh
A presente dissertação examina as diferentes modalidades de violência encontradas em três peças do dramaturgo irlandês Martin McDonagh: The Beauty Queen of Leenane (1996), The Lieutenant of Inishmore (2001) e The Pillowman (2003). Observa-se que o escritor trabalha o tema da violência de forma constante e recorrente, embora o tratamento de tal tema po
Publicado em: 2009