Kubrick Stanley 1928 1999 Barry Lyndon Critica E Interpretacao
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1. Entre cinema e pintura: o realismo plástico de Stanley Kubrick em Barry Lyndon
This investigation searches for the effects of meaning resultants from the use of plasticity as a method for creating the visuality in the movie Barry Lyndon, by Stanley Kubrick (1975), and, at the same time, the intersemioticity that emerges from the blending of the aesthetic languages of cinema, painting and literature here involved. Concerning the methodo
Publicado em: 2007