Music Brazil 20th Century
Mostrando 1-9 de 9 artigos, teses e dissertações.
-
1. Violão.org: saberes e processos de apreensão/transmissão da música no espaço virtual
Currently using specialized sites, people gather in virtual communities that occur on the Internet. Some examples of those virtual communities are forums, bulletins and chats. They have created special ways to work with information in texts, sound and images. In that perspective, what knowledge and processes of apprehension/transmission of music can be revea
Publicado em: 2011
-
2. Entre palcos e páginas: a produção escrita por mulheres sobre música na história da educação musical no Brasil ( 1907-1958) / Between stages and pages: womens written production about music in the history of musical education in Brazil (1907-1958).
Estudo histórico que tem por objetivo localizar e analisar a produção escrita por mulheres sobre música, relacionada a diversos contextos educacionais no Brasil, durante as primeiras cinco décadas do século XX. Como fontes, foram consultadas as publicações inventariadas na pesquisa, documentos manuscritos de arquivos históricos, documentos oficiais,
Publicado em: 2011
-
3. Em busca da alma musical da nação : um estudo comparativo entre os nacionalismos musicais brasileiro e espanhol a partir das trajetorias e das obras de Heitor Villa-Lobos e Manuel de Falla / In quest of the "musical soul of the nation" : a comparative study between brazilian and spanish musical nationalisms from the careers and works of Heitor Villa-Lobos and Manuel de Falla
This work comprises a study of musical nationalism from a comparative perspective founded in the careers and works of two icons of 20th-century music, Heitor Villa-Lobos and Manuel de Falla, who are considered the greatest exponents of musical nationalism in their countries. First, it considers how "continuities" of nationalism, as identified by scholars, ha
Publicado em: 2009
-
4. Uma trajetória estilística do choro: o idiomatismo do violão de sete cordas, da consolidação a Raphael Rabello
This work aims at exploring the stylistic resources of the seven string-guitar in the Brazilian choro. It presents a brief description of the pioneers of choro, which is justified due to the traditional repertoire which the seven-string guitar covers, followed by an analysis of Garotos (Aníbal Augusto Sardinha) guitar contribution, this research deals with
Publicado em: 2009
-
5. A viola con anima: uma construção simbólica / A viola con anima: uma construção simbólica
The historical researches on the Brazilian violas were limited by textual and iconographical references to the musical instrument and its musical production, particularly from the second half of the 17th century to the beginnings of the 18th, except from a small reference found in Cancioneiro de Músicas Populares by Cesar das Neves, published first in 1893.
Publicado em: 2008
-
6. From open form to indeterminacy : procedures of employment of hasard in the brazilian music for piano / Da forma aberta a indeterminação : processos da utilização do acaso na musica brasileira para piano
The main purpose of this essay is to analyse music pieces of the Brazilian repertoire for piano that use processes of chance (Open Form, Aleatory Music, Improvisation and Indeterminacy). This essay begins with the historic context of the use of chance in the 20th Century, trying to establish its antecedents and its origins in the musical scenery afier World
Publicado em: 2007
-
7. Brasiliana nº2 de Cyro Pereira : analise interpretativa, preparação de edição e redução para viola e piano / Brasiliana n.2 by Cyro Pereira: interpretative analysis, edition and piano reduction
The purpose of the present research is to study the technical and interpretative aspects of the piece viewing its performance. To accomplish this objective, harmonic, formal, technical and idiomatic aspects were analyzed. A critical edition of the score and parts, as well as a piano reduction was prepared, with the intent of divulging the piece and enabling
Publicado em: 2006
-
8. Lambe-lambe de Luiz Cosme : uma edição critica
The present work is a revision of Luiz Cosme s "ballet scene" Lambe-lambe through a critical edition of the original manuscript score. The research process was developed on the basis ot a theoretical study that led to an understanding ot the historical and musical aspects ot the composer s lite and works. This initial study was essencial in order to guide in
Publicado em: 2004
-
9. Fabiano Lozano e o inicio da pedagogia vocal no Brasil
It was the purpose of our research to explain facts about Fabiano Lozano (1886-1965) as a Conductor, lnstrumentalist and Pedagogue who was always praised by his disciples and by professionals of different areas with whom he had contact. Furthermore, we collected data about Vocal Pedagogy, which is a very difficult art, and Lozano s procedures as to this subj
Publicado em: 1996