Philosophy And Music
Mostrando 1-12 de 22 artigos, teses e dissertações.
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1. Hieronymi Fracastorii: the Italian scientist who described the "French disease"
AbstractGirolamo Fracastoro was a true Italian Renaissance man: he excelled in literature, poetry, music, geography, geology, philosophy, astronomy and, of course, medicine to the point that made Charles-Edward Armory Winslow define him as "a peak unequaled by anyone between Hippocrates and Pasteur". In 1521 Fracastoro wrote the poem "Syphilis Sive de Morbo
An. Bras. Dermatol.. Publicado em: 2015-10
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2. Prolegômenos a uma arqueologia da música: saber e Modernidade musical / Prolegomena to an archeology of music: knowledge and musical Modernity
O objetivo desta dissertação é desenvolver uma sugestão de Foucault presente no final de A arqueologia do saber, segundo a qual seria possível realizar descrições arqueológicas de saberes que não os científicos, tais como as artes, a literatura e, no caso da presente pesquisa, a música. Para isso, recorrendo não só à Arqueologia do saber e text
IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia. Publicado em: 17/08/2011
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3. Navalhanaliga : a poética feminista de Alice Ruiz / Navalhanaliga : the feminist poetics of Alice Ruiz
This research focuses on the artistic work held by the poet and composer Alice Ruiz, trying to comprehend the ways of construction of her subjectivity through her self aesthetics practices and experience. I aim at investigating and analyzing of the poets feminist writings, as also her poems and music lyrics, using such categories as gender, aesthetics of e
IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia. Publicado em: 17/08/2010
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4. Kant e a musica na Critica da Faculdade do Juizo / Kant and the music in the Critique of Judgement
The aim of this dissertation is to examine Immanuel Kant s treatment of music in his Critique of Judgment. Beneath his apparent neglect for the subject one can find a dense philosophical reflection that decisively contributes to the always current discussion about music perception, understanding and categorization. The possibility of recognizing music as bei
Publicado em: 2009
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5. Regressão auditiva: o impedimento da música como conhecimento em Th. Adorno
The aim of our study was to understand how the regression of listening, thought by Adorno, prevents the assimilation by the individual of a knowledge regarding reality from music. We start by investigating the psychoanalytic origin of the concept of regression and the establishment of similarities and distinctions between this concept and its philosophical c
Publicado em: 2009
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6. Chris Cunningham: autoria em videoclipe
The work from the video artist Chris Cunningham is the main theme of this research. The several audiovisual productions of this director include video installations, advertising and mainly music videos. There are two reasons for the choice of this object. The first one is related to the contemporary themes of Cunninghams projects such as cyborg and freak bod
Publicado em: 2009
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7. "Madrigais gauchos" of Bruno Kiefer : analysis, preparation and performance based on a new edition, critical and revised / "Madrigais gauchos" de Bruno Kiefer : analise, preparação e execução a partir de uma nova edição, critica e revisada
The object of this paper is the study of the twelve "Madrigais Gaúchos" for chamber choir by Bruno Kiefer aimed at the choral conductor in preparation for a conscious performance. This research examines the composer s experience with choirs, especially those with the "Coral da Faculdade de Filosofia da Universidade Federal do Rio Grande do Sul" (Chorus of t
Publicado em: 2009
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8. Nietzsche e a Pós-Modernidade: a questão do niilismo entre a metafísica de artista e o espírito livre / Nietzsche and the Pót-Modernist: the problem of the niilism bethew the metafhísic of the artist and the free espirit
This work examines and exposes the parameters of the Nietzsches critics to the rationality of Socrates, to the teleological modern ideas and to the value of absolutely truth and focus how it does forges the nihilism conception and does inaugurates the postmodern age. Through those perspectives, this work analyses in the The Birth of Tragedy from the Spirit o
Publicado em: 2009
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9. A atividade musical e a consciência da particularidade
The intent of this study was to analyze the musicality in a historical cultural perspective, which resulted in the understanding of its genesis, structure and function in different historical moments. Particularly, in the natural cultural history as well as in rupture moments that involved changes in the ways of experiencing the musicality, whether it be in
Publicado em: 2009
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10. A musica sob a perspectiva critica de Rousseau : uma analise da carta sobre a musica francesa / One analysis form letter about french music
Published in Paris in the 1753 during "Guerre des Bouffons", the Lettre sur Ia Musique Française by Jean-Jacques Rousseau, although to refere to tradictional dispute fonned around the paralIel between the french music and the italian music, disagree itself of the majority of the text published in the age referring to subject. The Lettre writed by Rousseau b
Publicado em: 2008
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11. AGAINST THE EXCESSES: LIMITS, BALANCE AND LOVE IN BOSSA NOVA / CONTRA OS EXCESSOS: CONTENÇÃO, EQUILÍBRIO E AMOR NA BOSSA NOVA
Against the excesses: limits, balance and love in bossa nova examines the sparingly aesthetics that marked a new movement in modern Brazilian music. Using the concepts of Nietzsche´s aesthetic philosophy, especially outlined in his first book, The Birth of Tragedy this study describes the creation process of bossa nova music as a constant struggle against t
Publicado em: 2008
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12. Ruidos, rumores e vozes da linguagem em Freud e Proust / Noises, rumors and voices of the language in Freud and Proust
The present research analyses the concept of divided subject, memory and language in La prisonnière (1923), a posthumous novel by Marcel Proust (the fifth volume of the À larecherche du temps perdu series). The study is carried out in the light of the theory ofmemory and language by Sigmund Freud in one of his earliest papers On Aphasia (Zur Auffassung des
Publicado em: 2008