Phonographic Production
Mostrando 1-5 de 5 artigos, teses e dissertações.
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1. Do registro ao documentário: uma tradução verbo-visual-sonora na Amazônia
This research has proposed an analysis of the creation and the recreation process in the verb-sonorous work Tuyabaé Cuaá (The knowledge of the Ancient Pajés), whose author is the composer and writer Walter Freitas, born in Pará, Brazil a work which reverberates the Amazon culture and the authors fundamental knowledge of it. Its objective was to observe t
Publicado em: 2009
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2. Processos Fonográficos e Música de Tradição Oral em Pernambuco
Durante todo o século XX a tecnologia de áudio contribuiu muito para o desenvolvimento da etnomusicologia. Inicialmente com a criação do fonógrafo e de técnicas de registro sonoro, possibilitando o desenvolvimento dos arquivos fonográficos e, posteriormente, com a crição de tecnologias que apresentassem melhor qualidade sonora, menor custo e conceit
Publicado em: 2008
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3. O Mercado Fonográfico no Brasil: Alterações nas Relações de Poder a partir do Desenvolvimento Tecnológico e da Pirataria Virtual
The phonographic market has experienced a period of significant change caused by technological evolution. This phenomenon of global proportions has been the subject of considerable debate in the media and in academia. The entry of new actors, as well as piracy and new forms of commercialization of musical products, has significantly altered the relationships
Publicado em: 2007
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4. A INVENÇÃO DO SAMBAJAZZ: DISCURSOS SOBRE A CENA MUSICAL DE COPACABANA NO FINAL DOS ANOS DE 1950 E INÍCIO DOS ANOS 1960 / THE CREATION OF SAMBAJAZZ: SPEECHES ON THE MUSICAL SCENE OF COPACABANA IN THE LATE-FIFITIES AND EARLYSIXTIES
This work discusses the creation of sambajazz, from the definition of this style as the sound of Copacabana. Through research carried out in radiophonics and phonographic assortments as well as newspapers of the time, I contextualize the musical production as well as the different discourses applied to its meaning within the carioca scene of the late-fifties
Publicado em: 2007
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5. Helio Delmiro s stylistic concepts applied to the guitar as played in the context of brazilian contemporany instrumental music / Concepções estilisticas de Helio Delmiro : violão e guitarra na musica instrumental brasileira
During the period of time between the late sixties and the first years of the 21st century, the Brazilian phonographic production witnessed the configuration of a genre of instrumental music that proved to have its own characteristics; while containing the Brazilian culture, it is nevertheless permeated by the aesthetics of American Jazz, creating an expecta
Publicado em: 2005