Piano In Brazil
Mostrando 1-12 de 18 artigos, teses e dissertações.
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1. Elaboration of an instrument to evaluate the recognition of Brazilian melodies in children
Resumo Introdução: Há evidências que apontam para a importância da avaliação da percepção musical através de instrumentos objetivos e subjetivos. No Brasil, há escassez de instrumentos que avaliem a percepção musical. Objetivo: Desenvolver um instrumento para avaliar o reconhecimento de melodias tradicionais brasileiras e investigar o desempen
Braz. j. otorhinolaryngol.. Publicado em: 13/12/2019
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2. ENTRE O PIANO E VIOLÃO: A MODIHA E A CULTURA POPULAR EM FORTALEZA (1888-1920). / Between the piano and the guitar: the Modinha and popular culture in Fortaleza (1888-1920).
The genre little fashion, protoformer urban popular music, grew up in a time when urgently sought a sense of national identity that, with the abolition of slavery and the proclamation of the Republic, won a new direction before the Brazilian intellectuality, translating into ideas such as Sílvio Romero, who advocated the "whitening" of racial and cultural B
IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia. Publicado em: 16/10/2012
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3. Babi de Oliveira: recortes da vida, da obra e catalogação de suas composições para canto e piano
Brazil is a country known for its cultural diversity, vastness and regional differences, specifically its music. Thus, preserving our heritage becomes a priority so as not to neglect our heritage. Given the variety of Brazilian composers research is fundamental to evaluate and maintain the musical heritage of our country. The research will focus on analyzing
IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia. Publicado em: 22/08/2012
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4. Antônio de Sá Pereira e o ensino moderno de piano: pioneirismo na pedagogia pianística brasileira / Antônio de Sá Pereira e o ensino moderno de piano: pioneirismo na pedagogia pianística brasileira
Antônio de Sá Pereira was a renowned scholar and a pioneer of Piano Pedagogy in Brazil. His treatise on piano teaching and technique, Ensino Moderno de Piano (Modern Piano Teaching -1933), encompasses several related subjects such as sight reading and critical listening. This is the first time a Brazilian work describes the physiology of piano playing move
Publicado em: 2009
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5. A composição brasileira de piano para a mão esquerda / The Brazilian composition of piano for the left hand
Este trabalho foi realizado com o objetivo de reunir e executar as principais obras para piano, criadas no Brasil, compostas somente para a mão esquerda. Este repertório constitui uma especialidade musical de importância histórica, artística e acadêmica e não necessita permanecer velado ou esparsamente considerado. A tese possui dois capítulos e dois
Publicado em: 2009
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6. Dança brasileira and dança negra for piano by Camargo Guarnieri : an interpretative approach / Dança brasileira e dança negra para piano solo de Camargo Guarnieri : uma abordagem interpretativa
Camargo Guarnieri (01/02/1907 - 13/01/1993) is one of the most important Brazilian composers. His large output includes music for orchestra, chamber music, solo voice, choir and solo instruments. Guarnieri was an accomplished pianist and wrote several pieces for piano. A significant amount of research has been conducted on Camargo Guarnieri´s music both in
Publicado em: 2008
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7. Os sete estudos para piano de Gilberto Mendes / Os sete estudos para piano de Gilberto Mendes
This work approaches the seven piano Études by Gilberto Mendes in an analysis focusing interpretation issues. In combining this objective to that of registering the compositional techniques applied, we tried to compare these pieces to earlier works, looking for a better understanding of the language of this composer who is considered one of the best in Braz
Publicado em: 2008
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8. Oriental: a importância do timbre na obra de Pattápio Silva
The flutist and composer Pattápio Silva (1880-1907) was one of the Brazilian interpreters that reached larger prominence and projection in the society of his time. In spite of the short career, interrupted by the premature death, when he was 26 years old, Pattápio was considered a great virtuoso of his instrument besides having participated in the historic
Publicado em: 2008
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9. Da leitura de partituras musicais à transcrição/arranjo para conjuntos de câmara.
The practice of transcribing/arranging piano scores into chamber music compositions for young ensemble performing students was not been done in class, in the Musical Training Courses I and II or in the Advanced Music Course at the Escola de Música e Belas Artes do Paraná (EMBAP Brazil). The ideal of providing a chamber music experience to young instrument
Publicado em: 2008
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10. From open form to indeterminacy : procedures of employment of hasard in the brazilian music for piano / Da forma aberta a indeterminação : processos da utilização do acaso na musica brasileira para piano
The main purpose of this essay is to analyse music pieces of the Brazilian repertoire for piano that use processes of chance (Open Form, Aleatory Music, Improvisation and Indeterminacy). This essay begins with the historic context of the use of chance in the 20th Century, trying to establish its antecedents and its origins in the musical scenery afier World
Publicado em: 2007
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11. A Sertaneja de Brazílio Itiberê: uma análise formal e interpretativa
This work provides historical, analytical and performance aspects about A Sertaneja (The Countryside Lady), a piano work written by the Brazilian composer Brazilio ItiberE in 1869. This is one of the first works that marked the beginning of music nationalism in Brazil. At the end of the nineteenth-century, when it was written, virtuosity and the search for n
Publicado em: 2007
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12. Um garatuja entre Wotan e o Fauno : Alberto Nepomuceno e o modernismo musical no Brasil / A ‘garatuja’ between Wotan and the Faun : Alberto Nepomuceno and the musical modernism in Brazil
A constatação da disparidade nas considerações sobre a vinculação do compositor Alberto Nepomuceno (1864-1920) com o modernismo musical durante a Primeira República brasileira gerou os problemas que a presente tese se propõe a estudar. Assim, enquanto seus contemporâneos viam nele um compositor moderno, a geração posterior, balizada pelos ideais d
Publicado em: 2007