Piano Studies
Mostrando 1-12 de 14 artigos, teses e dissertações.
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1. Quatro estudos para piano solo de Vieira Brandão: uma abordagem técnico-interpretativa / Four studies for piano solo Vieira Brandão: a technical approach and interpretative
Nesta pesquisa e apresentada uma abordagem tecnico-pianistica sobre Quatro Estudos para piano Solo de Jose Vieira Brandao (1911-2002): Estudo n.1 (dedicado a Arthur Rubinstein); Estudo n.2 (dedicado a Ernesto Nazareth); Estudo n.3 (Chorinho); Tocata 1 (Estudo n.4). Brandao foi um eximio pianista que trabalhou tambem como compositor, regente e educador musica
IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia. Publicado em: 08/03/2012
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2. Sonata para viola e piano (1950) de Camargo Guarnieri: estudo técnicointerpretativo e tratamento editorial
The present work relates to a technical and interpretative study of Camargo Guarnieris Sonata for viola and piano (1950). Initially, a biographic study about the composer is done, as well as his musical career and major artistic achievements. It includes a formal analysis of the Sonata, aiming to give emphasis to its compositional aspects. Questions related
IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia. Publicado em: 24/09/2011
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3. O processo de hibridização da publicidade: entreter e persuadir para interagir e compartilhar / The process of hybridization of advertising: entertain and persuade to interact and share
This research investigated how the process is occurring hybridization of advertising from the dialogue and the increasingly intense intersections between three actors in the contemporary media environment: the advertising market, the industry entertainment and interactive technologies. We had to describe and analyze paradigmatic ruptures of the current adver
Publicado em: 2010
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4. Descoberta Automática de Conhecimento em Interpretações Musicais: Microandamento e Microdinâmica
The performance of a song in the exactly way it is written on the score tends to sound mechanical and artificial to any musician with a minimum experience. Among the variations made by a musician when interpreting a score, classified as musical expressivity, are: a) microtiming, micro time variations; b) microdynamics, small variations of the notes intensity
Publicado em: 2009
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5. Concerto n. 1 para Violino e Orquestra de M. Camargo Guarnieri: Aspectos Históricos, Estéticos e Temático-Motívicos.
The purpose of this research was to study the Concerto no. 1 for Violin and Orchestra by Camargo Guarnieri. One of its main goals was the search for elements of the Brazilian musical nationalism present in this work. Thus, in order to achieve this first goal, an analysis was done based on the Ensaio sobre a música brasileira by Mário de Andrade. Where the
Publicado em: 2009
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6. Marlos Nobre : aspectos motivisticos em duas peças para piano : Sonata Breve, opus 24 (1966/2000) e Tango, opus 61 (1984) / Marlos Nobre : aspects motivics in two pieces for piano : Sonata Breve, opus 24 (1966/2000) and Tango, opus 61 (1984)
The main goal of this research is the analysis and interpretative study of two of Marlos Nobre s piano pieces: Sonata Breve, opus 24 (1966/2000) and Tango, opus 61 (1984). The methodology includes three main points: to introduce the biography and historical data of the composer s life; study of the musical material and analysis techniques; to read and analyz
Publicado em: 2008
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7. A intenção do intérprete e a percepção do ouvinte: um estudo das emoções em música a partir da obra Piano Piece de Jamary Oliveira.
The objective of this study was to investigate the communication of emotions between the performer and the listener, through the piece Piano Piece (1984) by Jamary Oliveira. The study counted with three pianists, who played and recorded the piece, and 105 listeners. A software that recorded in real time the perception of listeners has been designed for the s
Publicado em: 2008
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8. From open form to indeterminacy : procedures of employment of hasard in the brazilian music for piano / Da forma aberta a indeterminação : processos da utilização do acaso na musica brasileira para piano
The main purpose of this essay is to analyse music pieces of the Brazilian repertoire for piano that use processes of chance (Open Form, Aleatory Music, Improvisation and Indeterminacy). This essay begins with the historic context of the use of chance in the 20th Century, trying to establish its antecedents and its origins in the musical scenery afier World
Publicado em: 2007
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9. Coesão e proporções nos improvisos para piano de Camargo Guarnieri.
This work addresses questions related to the analysis of proportions, its possible role in organizing the structures of musical discourse and its relationship with the coherence of this discourse through an investigation of the elements that establish cohesion and coherence among the pieces that make up the set of ten Improvisos para piano by Camargo Guarnie
Publicado em: 2007
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10. A forma como resultante do processo composicional de Gyorgy Ligeti no primeiro livro de estudos para piano / The form as a result of Gyorgy Ligeti s compositional process in the first book of studies for piano
The Form as a Result of Gyõrgy Ligeti s Compositional Process in the First Book of Etudes for Piano emphasizes aspects of Ligeti s Etudes that establish them among the best exponents of contemporary pianistic repertoire, not only by their compositional substance, but also by their innovative approach of the possibilities offered by the piano. Thus, the thes
Publicado em: 2005
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11. Perspectivas analiticas e interpretativas na obra para piano de Arnold Schonberg
This thesis, presented to the Fine Arts Post Graduate Program of the University of Campinas / UNICAMP, intended to fulfill part of the requirements for obtaining the Master in Fine Arts, in the field of Music. With the title Analytic and Interpretive Perspectives in Arnold Schönberg Piano Oeuvre and composed of a single volume, brings five chapters dedicate
Publicado em: 2005
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12. Almeida Prado: piano studies, technical and interpretative approaches / Almeida Prado : estudos para piano, aspectos tecnico-interpretativos
Este trabalho tem como objetivo principal propor soluções Técnico-Interpretativas para a execução dos" 14 Estudos para Piano de Almeida Prado". Visa o estudo, a análise e a divulgação da música contemporânea brasileira, contribuindo para a bibliografia sobre o assunto. A metodologia abrange o estudo do material utilizado, através da análise e a e
Publicado em: 2005