Popular And Folk Music
Mostrando 1-10 de 10 artigos, teses e dissertações.
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1. Alguns compassos. Câmara Cascudo e a música (1920/1960) / A few bars: Câmara Cascudo (1920/1960).
Luís da Câmara Cascudo publicou uma vasta obra centrada no homem brasileiro visto pela ótica da etnografia, do folclore e da história. Muito se tem escrito e estudado sobre seu legado. Embora não tenha escrito nenhum livro tratando especificamente sobre música, verifica-se em seus escritos uma grande preocupação pelo assunto e constantes menções, e
Publicado em: 2011
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2. Cantando a própria história / Not informed by the author
This work intends to perform a reading of caipira music, its components and its main representative: the brazilian ten-string guitar, here approached from the standpoint of its social and musical history. In this consideration we will question some concepts, which have already been developed by other writers, on country music and its relationship to the phon
Publicado em: 2011
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3. The noisy miner- Popular culture and brazilianness in the work of Alexina de Magalhães Pinto (1870-1921) / A mineira ruidosa- Cultura popular e brasilidade na obra de Alexina de Magalhães Pinto (1870-1921)
Against the background of the period of the late nineteenth century until the first two decades of the twentieth century and thematic construction of Brazilian national identity, this study aimed at examining how the popular culture collected in the form of songs, stories , proverbs and child´s play was treated by folk and professor of mineira Alexina Magal
Publicado em: 2009
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4. Do picadeiro ao céu : o riso no teatro de Ariano Suassuna
The analysis of this work seeks to investigate the meaning of the laughter in the paraibano writer Ariano Suassunas armorial theater. The study departs, firstly, from an argumentation which centers its content in the theory of the many theoreticians of the question: Henri Bergson, Vladimir Propp, Jolles, Freud, Bakhtin. The essence of the laughter in Suassun
Publicado em: 2008
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5. As canções de Luiz Gonzaga sob o olhar da análise crítica do discurso (ACD).
Luiz Gonzaga has become one of the most important composers and interpreters of Brazilian popular music of his time. His voice, his clothing, his particular way of talking and his intonation made him become a great national symbol, a representative of a regional identity. Luiz Gonzaga is considered one of the most active men who spread out culture, costumes
Publicado em: 2008
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6. Ciclos nordestinos 1, 2 e 3 para piano de Marlos Nobre: uma abordagem analítico-interpretativa
The object of this study is to analyze Marlos Nobres Ciclos Nordestinos for piano through two distinct sources of theoretical referencial: the theoretical and practical knowledge of elements that compose folk/popular Brazilian music, specifically the one from the Northeastern region, and the style analysis of the method proposed by Jan LaRue. Marlos Nobre co
Publicado em: 2007
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7. Raul Seixas: a mosca na sopa da ditadura militar - censura, tortura e exílio (1973-1974)
This dissertation aims to rescue the importance of the singer and composer Raul Seixas (1945-1989) in the period between the military dictatorship and the promulgation of 1988 Constitution. It seeks, still, to verify his insertion into the Brazilian artistic scenario and in other segments during the 1970 decade, as the counterculture, the censorship, the rep
Publicado em: 2007
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8. O piano mestiço : composições para piano popular com acompanhamento a partir de matrizes pernambucanas
Pernambuco?s cultural life is strongly based on folk movements, and there is a large number of them in activity by now. The piano is part of the music history of that State, but there aren?t evidences of a particular language developed on this instrument based on local musical sources. First this work discusses about historical and stylistic aspects of three
Publicado em: 2005
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9. NOITE DOS TAMBORES SILENCIOSOS : for symphony orchestra
In this paper the compositional issues and techniques employed in my D. Mus. Thesis Composition Noite dos Tambores Silenciosos (for symphony orchestra) are discussed. The piece, constituted of three linked parts, exhibits a counterpoint of three distinct kinds of music as the main vehicle of the musical discourse. Two of these musics are connected with Marac
Publicado em: 2003
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10. Etnomusicologia das taieiras de Sergipe:uma tradição revista.
The present work studies the social relationship of traditional groups as they take upon themselves the concept of folk groups. While focusing on the factors that may promote continuity or change in the music making, the research is centered on the Taieiras of the Northeastern Brazilian State of Sergipe. The musical product of the popular groups is understoo
Publicado em: 2003