Representation Painting
Mostrando 1-12 de 23 artigos, teses e dissertações.
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1. Iconografia musical na obra de Henri Rousseau
Número significativo de artistas, teóricos da música e historiadores da arte exploraram a diversidade e complexidade dos nexos entre pintura e música ao longo dos séculos. No domínio das artes visuais, as referências à música são abundantes, ganhando expressão tanto pelos temas iconográficos quanto pela reflexão sobre os fundamentos da linguagem
ARS (São Paulo). Publicado em: 20/01/2020
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2. O quarto de Ceci: paisagem, natureza-morta e desejo em O guarani, de José de Alencar
Resumo Este artigo explora duas linhas contrastivas e complementares de representação da natureza em O guarani (1857), de José de Alencar, que são a paisagem e a natureza-morta, em especial esta última. Gênero que atinge seu clímax no século 17 nos Países Baixos, a natureza-morta passa ao primeiro plano da pintura ao valorizar características como
Alea. Publicado em: 11/11/2019
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3. Goya and tinea favosa
A case of a tinea favosa involving the scalp of a child represented in the painting "Boys climbing a tree" (Muchachos trepando a un árbol), by Francisco Goya y Lucientes, with pictorial representation of favic scutula and consequent alopecia.
An. Bras. Dermatol.. Publicado em: 2014-12
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4. Objetos tecnopoéticos : transmutações de imagens do repulsivo
The artistic proposal ¿Technopoetic Objects: Transmutations of Images of the Repulsive¿ discusses poetic experimentation using digital painting, video art, computer and control interfaces. In this thesis, Technopoetics use principles such as numerical representation, modularity, automation, variability and transcoding. Technology is explored as a tool for
IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia. Publicado em: 2011
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5. A realidade estranha : um poética visual na sociedade da imagem e sua cultura dos imediatos / The strange reality : a poetic visual of the immediate
This thesis consists of theoretical research and visual practice with the aim of: 1) discuss the process of simulacrum on the field of representation taken by the construct of reality in contemporary society, and 2) production in the visual arts by seeking to create personal poetic in a hybrid regime. To establish a visual show was held a series of photograp
Publicado em: 2010
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6. No limiar da visão: a poética do sublime em Edmund Burke / On the Verge of Vision: Edmund Burkes poetics of the sublime
This dissertation aims to make a discussion on how Edmund Burkes A Philosophical Enquiry into the Origins of our Ideas of the Sublime and Beautiful introduces a new sense of the sublime, distinct from the one conceived by classical poetics and rhetoric, due to its opposition to the paradigm of clarity and pleasure. Once Burke portrays the sublime experience
Publicado em: 2010
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7. Cumplicidade : questões da pintura e da representação / Complicities : questions of the painting and the representation
This research is a reflection about the creative process in the paintings made between 2006 and 2009. The use of photographic images as a model for the paintings is often used and shows a different attitude to the object depicted. With emphasis on issues related to representation and painting, I organize those elements that permeate the works and serving as
Publicado em: 2009
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8. A morte da pintura em questão : a obra de João Camara e Siron Franco nas decadas de 1960/1970 / The "death" of painting in question : the works of João Camara and Siron Franco in the decades of 60 and 70
This dissertation analyses the insertion of the artists João Câmara and Siron Franco artists that through the language of painting build up from the technique oil painting over canvas have appeared into the artistic scenario in the decades of 1960 and 1970. In this time it was discussed in Brazil and abroad the crisis of the traditional artistic s
Publicado em: 2009
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9. The Representation of the Emptiness in the Everyday-Life / A representação do vazio no cotidiano
Esta dissertação apresenta uma reflexão sobre a minha produção artística desenvolvida ao longo dos últimos anos que tem como preocupação central a relação entre os conceitos de cotidiano, vazio e criação. O objetivo deste texto é entender de uma maneira abrangente o processo de criação do conjunto de obras apresentado, identificando e organiz
Publicado em: 2009
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10. O SAGRADO E O PROFANO EM ANTÔNIO POTEIRO
Antônio Poteiro, the most representative artist in brazilian naïf art, presents a very rich theme in his paintings and sculptures, which includes: carnival, annunciation, nativity, indigene rituals, among others. Poteiro seems to search in the Bible, inspiration for his theme when he places in opposition sacred and profane, God and Evil, right and wrong. Q
Publicado em: 2009
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11. Imagining the female: pin-up, of the chérette to playmate / Imaginando a mulher: Pin-up, da chérette à playmate
Analysis of the production of the female image as a commodity in modern age. The erotic imagery in the consumer society, in the graphic media from XIX to XX century. The technical image and its relation with the academic painting in the representation of the womens figure and the nude in the photography, cinema, illustration and cartoon. The pin-up, its orig
Publicado em: 2008
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12. Das ruas a tela : a representação da violencia na midia eletronica / From the streets to the screen : the violence representation in the news broadcasting
In what way the internal struggleslinked to the television field sustain the forms which through the television theme is represented in its interior? From de principIe that seeing TV as a simple transmitter of "facts" found in the social world, ar still, as a way of "manipulation" of this facts, means to ignore the fight for a better condition in the process
Publicado em: 2008