Scenic Dance
Mostrando 1-12 de 16 artigos, teses e dissertações.
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1. Which is the body dances? : dance and somatic education for building a scenical body / Qual e o corpo que danca? : dança e educação somatica para a construção de um corpo cenico
The present work has as objective to deepen into the research of Klauss Vianna Technique as a corporal practice for constructing a scenic body by means of analyzing a personal process stemming from my experience as dancer, instructor and researcher of the movement. This thesis has four main axels: understanding Viannas principles and their unfolding on a c
Publicado em: 2010
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2. Uma vida em dança : movimentos e percursos de Denize Stutz / A life in dance : movement and pathways of Denize Stutz
The work presents several different axis of investigation performed by a doctoral research on the life of Denise Stutz, Brazilian dancer who remains actively performing since the 1970s until the present days. The perspective of this research focuses on the experiences of this ballerina throughout her multiple poetic paths - her moments of formation, transfor
Publicado em: 2010
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3. Deficiência em cena: desafios e resistências da experiência corporal para além das eficiências dançantes.
This is an investigation about the disabled body in the contemporary scene based on experience built in touch with Viva Dance Company. The work aims to reflect on the question of these bodies that are considered unsuitable for such practice and, concomitantly, the fact of this situation in the art scene inaugurates an awakening to new aesthetic possibilities
Publicado em: 2010
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4. Expressividade cênica pelo fluxo percepção/ação : o sistema Laban/Bartenieff no desenvolviemtno somático e na criação em dança / Scenic expressivity through perception/aaction : Laban/Bartenieff s system for somatic development and creation in dance
Abrangendo as vias da prática artística e reflexão teórica, esta pesquisa propõe-se a investigar a construção do saber expressivo do artista da dança. Avalia brevemente modos de se ensinar e criar a dança cênica, para reconhecer as necessidades de o artista ser, hoje, um intérprete-criador da sua linguagem expressiva. Ressalta a importância, para
Publicado em: 2010
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5. Scenic performance in the Dande-Researcher-Performer (DRP) method : a study based on the creation and presentations of the dance performance Unrestness Waltz / O espetaculo cenico no metodo Bailarino-Pesquisador-Interprete (BPI) : um estudo a partir da criação e apresentações do espetaculo de dança Valsa do Desassossego
This work focuses on the scenic performance in the Dancer-Researcher-Performer (DRP) method, being based on the study of the dance Unrestness Waltz. DRP is a method of creation and research in dance that develops from the mutual relations of three fundamental axis: The Body s Inventory; The Co-inhabiting with the Source; and The Structuring of the Character.
Publicado em: 2009
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6. The myth of the goddess Kali revealed in dance from modified states of conscience / Kaligrafia : o mito da deusa Kali revelado na dança a partir de estados alterados de consciencia
This dissertation deals with the process of creation and construction of the scenic body in dance inspired by the myth of the Kali Goddess - the female Goddess that belongs to Hinduism, considered one of the representations of the vital nature of human existence, to whom is assigned the destruction and recreation of the universe through its power of transfor
Publicado em: 2009
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7. Roots of theatricality in scenic dance : profiles of a trend in São Paulo, Brazil / Raizes da teatralidade na dança cenica : recortes de uma tendencia paulistana
Essa pesquisa teve como finalidades principais: a reconstituição e registro documental da produção realizada pelas coreógrafas paulistanas Célia Gouvêa e Sônia Mota durante as décadas de 70 e 80; a apreciação dessa produção de modo a refletir sobre as raízes da teatralidade na dança cênica do período. A fim de alcançar-se uma compreensão d
Publicado em: 2009
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8. Quando a dança é o jogo e o intérprete é jogador: do corpo ao jogo, do jogo à cena.
This investigation has as its object creation in dance founded in elementary principles of gameplaying. I have taken as hypothesis the idea that the concept of game can be applied in the practice of scene creation not only as a resource in the generation of creative material (improvisation), but also incorporated as a driving mechanism and structural element
Publicado em: 2009
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9. Para além da técnica : estratégias pedagógicas de três professoras de dança ou a presença como modo de estar ali
Esta dissertação trata de estratégias usadas por três professoras de dança, na sua prática pedagógica, para que seus alunos cheguem à presença cênica. O material empírico foi constituído a partir de uma pesquisa de inspiração etnográfica, realizada nas aulas de dança das professoras Dagmar Scherer Dornelles, Luciana Paludo e Simonne Rorato, e
Publicado em: 2009
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10. From dream to stage : a proposal of creation process through unconcious images / Do sonho a cena : uma proposta de criação coreografica por meio de imagens inconsciente
The challenge of this search was the discovery and the construction of a new creation process that came from the unconscious images and could reach the scenic space structured as a choreography work, with the less conscious interference possible. The encounter with Jung theory, the Analytical Psychology, brings concepts who echoed as a possibility of way to
Publicado em: 2009
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11. Vozes, música, ação: dalcroze em cena - conexões entre a rítmica e a encenação / Vozes, música, ação: dalcroze em cena - conexões entre a rítmica e a encenação
This research approaches Eurhythmics as Formative Principle, one of the developments of Émile Jacques Dalcrozeformulations on the pedagogical and professional work with voice, music and staging. Through his axiom music is movement, and movement is music, Dalcroze emphasizes the originality of Eurhythmics in promoting an immanent quality of mankind the indis
Publicado em: 2008
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12. Short-circuit between the dramatist-theater director and the actor : the scenic composition of cantor perifericos / Curto-circuito entre o dramaturgo-encenador e o ator : a composição cenica de cantos perifericos
This dissertation ains on retrieving the writing and staging process of Cantos Periféricos staged by Santo André group Teatro da Conspiração between 2002 and 2004. It will analyze the text elaboration from observation and researching of movie scripts and news from everyday life at poor suburbs, where the narrative deconstruction of the plot served as bas
Publicado em: 2007