Social Satire
Mostrando 1-12 de 12 artigos, teses e dissertações.
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1. Resistance and Sovereignty in Some Recent Australian Indigenous Women's Novels
Abstract In Australia, powerful stories expressing resistance to a white, postcolonising hegemony continue to be told in Indigenous women's fictional texts, including those from the 1990s onwards that are discussed in this article. Their particular historically-distinctive mode of satire or irony challenges postcolonising regimes and institutions, the legacy
Ilha Desterro. Publicado em: 2016-08
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2. ENTRE O PIANO E VIOLÃO: A MODIHA E A CULTURA POPULAR EM FORTALEZA (1888-1920). / Between the piano and the guitar: the Modinha and popular culture in Fortaleza (1888-1920).
The genre little fashion, protoformer urban popular music, grew up in a time when urgently sought a sense of national identity that, with the abolition of slavery and the proclamation of the Republic, won a new direction before the Brazilian intellectuality, translating into ideas such as Sílvio Romero, who advocated the "whitening" of racial and cultural B
IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia. Publicado em: 16/10/2012
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3. A famÃlia no romance "Vida e morte de M. J. Gonzaga de SÃ". / The family in the novel "Vida e morte de M. J. Gonzaga de SÃ".
This study tries to follow the meanings that the family takes in the novel Vida e morte de M. J. Gonzaga de SÃ, by Lima Barreto. In the narrative the subjectivity of the characters raises questions about the worth of the family institution during times of bourgeois changes in the Brazilian history, the First Republic. The assessment concerning the family al
IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia. Publicado em: 20/03/2012
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4. âSem ordi nÃo hà porgueÃo e nÃis sÃmo desordero!â: humor, parÃdia e vida urbana em Alvarenga e Ranchinho (1930/40) / âSem ordi nÃo hà porgueÃo e nÃis sÃmo desordero!â: humor, parody and urban life in Ranchinho and Alvarenga (1930/40)
The humorous representation of the Brazilian history could always be perceived in several artistic formats: images, movies, literary texts, theatrical pieces and also in the music. In the folk music, beyond the conception the act of telling âjokesâ, it was assumed, sporadically, a character scenic, performative and grotesquely. Thinking on this question, I
IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia. Publicado em: 03/09/2011
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5. Natsume Sôseki - o olhar felino sobre as múltiplas faces do homem de Meiji / Natsume Sôseki: feline \ slook about the multiple of the man of the Meiji period
O romance Eu sou um Gato, do escritor japonês Natsume Sôseki, publicado entre 1906 e 1907, é marcado basicamente pela critica ao regime em voga, período Meiji (18681912) no Japão e seus costumes sociais. Entretanto, sua construção baseia-se em técnicas pouco utilizadas na época, pois o autor mescla influências dos romances naturalistas ocidentais �
IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia. Publicado em: 10/03/2011
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6. Sátira e crítica social no romance Os tambores silenciosos, de Josué Guimarães / Satire and social criticism in the novel Os Tambores Silenciosos, by Josué Guimarães
This dissertation examines the novel Os tambores silenciosos (1977), by Josué Guimarães, and attemps to verify how the elements of the grotesque, the satire and carnivalization are used to construct the characters and the plot with the purpose of a critical representation of two critical historical periods corresponding with each other: the 1930s and the c
Publicado em: 2009
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7. A sátira política em O Pirralho: Juó Bananére e o Hermismo - 1911 a 1915
This research studies the phenomenon of political satire in the city of São Paulo s Belle Époque, specifically the chronic character of the irreverent comedy Juó Bananére, pseudonym of Alexander R. M. Machado, on the then President of the Republic Marshal Hermes da Fonseca and bureaucracy that tied the body of political support. Our study indicated that
Publicado em: 2009
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8. A questão da mulher e a ordem social: o humor em Dorothy Parker / Question of the women and social order: the humor in Dorothy Parker
Essa dissertação tem como objetivo analisar os contos da escritora Dorothy Parker em diálogo com seus poemas, tendo em vista a modernidade com a qual construiu suas histórias e o papel do humor em sua criação. Ao analisar as obras dessa autora de grande destaque nos Estados Unidos da América do Norte, nos anos 1930, veremos como o humor se transforma
Publicado em: 2009
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9. AS FORMAS DA INFÂMIA: POLÍTICA E ESTÉTICA NA OBRA DE JORGE LUIS BORGES (1921-1955) / THE FORMS OF INFAMY: POLITICS AND AESTHETICS IN THE WORK OF JORGE LUIS BORGES (1921-1955)
The work is presented as a contribution to the critical bibliography on Jorge Luis Borges, focusing political aspects of the author´s intellectual formation, and attributing to them a specific relevance on his literary production. At first, it consists on an exam of Borges¿ poems and essays published on the 1920¿s, in their associations to a romantic proj
Publicado em: 2009
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10. Entre crimes e castigos: matriz de (im)possibilidades na atenÃÃo integral aos homens autores de violÃncia de gÃnero
Este trabalho se insere na discussÃo sabre violÃncia de gÃnero, a partir da perspective da integralidade em satire, tendo como objeto de estudo o jogo discursivo de professionais que atuam na prevenÃÃo, assistÃncia e enfrentamento : violÃncia contra a mulher sobre as poss|ibilidades de atendimento aos homens autores de violÃncia no Sistema Ãnico de
Publicado em: 2008
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11. J.CARLOS: A POÉTICA DO TRAÇO / J. CARLOS: THE POETRY OF THE LINE
J. Carlos (1884 - 1950) is known as a great illustrator and cartoonist born in Rio de Janeiro. This research is aimed at giving special consideration to illustrations which he directs to children. These illustrations have been published in Tico-Tico magazine as well as in his book entitled My Nanny, or Minha Babá as it is called in Portuguese. J. Carlos dis
Publicado em: 2003
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12. Folhetins e máscaras: a obra de França Júnior
This research focus on the area of theatre and politics, using the literacy and dramatic work of França Júnior as the object (José Joaquim da França Júnior, 1838-1890). This author creates a consistent dramaturgy and produces in a hybrid of journalism and literature the folhetim, in which several dimensions of the Brazilian society of the second half of
Publicado em: 2002