Theatre Production
Mostrando 1-12 de 29 artigos, teses e dissertações.
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1. Lanters, José. The Theatre of Thomas Kilroy: No Absolutes. Cork UP, 2018.
Abstract The Irish playwright Dion Boucicault (1820-1890) spent most of his career in the United States, where he established himself, adapting crucial moments of Irish history to the stage. Robert Emmet (1884), a play produced at the end of his career, arouses questioning surrounding its authorship. The dramatic text was arguably written by the playwright F
Ilha Desterro. Publicado em: 2020-08
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2. Dion Boucicault’s Robert Emmet?: The Question of Authorship and the Season Premiere at the McVicker's Theatre, Chicago, on November 5, 1884
Abstract The Irish playwright Dion Boucicault (1820-1890) spent most of his career in the United States, where he established himself, adapting crucial moments of Irish history to the stage. Robert Emmet (1884), a play produced at the end of his career, arouses questioning surrounding its authorship. The dramatic text was arguably written by the playwright F
Ilha Desterro. Publicado em: 2020-08
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3. A Driving Force, Odin Teatret: Ur-Hamlet at Kronborg Castle
Resumo: Ur-Hamlet é uma produção de Eugenio Barba apresentada em 2006 no castelo de Elsinore, Dinamarca. O Odin Teatret trabalhou em colaboração com muitos atores, bailarinos e músicos de diferentes culturas e tradições teatrais. O artigo descreve as relações que o Odin Teatret tem estabelecido com outros grupos teatrais do mundo inteiro, suas troc
Rev. Bras. Estud. Presença. Publicado em: 27/06/2019
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4. JEFFREY C. ALEXANDER ON THE THEATRICALITY OF SOCIAL LIFE: DEEPENING THE HERMENEUTICS OF CULTURAL SOCIOLOGY
Resumo Este artigo analisa criticamente a sociologia cultural desenvolvida por Jeffrey C. Alexander, concentrando-se em sua visão sobre a teatralidade da vida social. Argumenta que se, de um lado, a perspectiva de Alexander de fato se articula com uma avaliação substantiva da dimensão performativa da vida social e política - o que vai ao encontro do pro
Sociol. Antropol.. Publicado em: 2019-04
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5. NOS PALCOS DA CIDADE: A REPRESENTAÇÃO DA MORALIDADE E DOS COSTUMES NO TEATRO DE FORTALEZA NA PRIMEIRA REPÚBLICA (1889-1930) / STAGES IN THE CITY: A REPRESENTATION OF MORALITY AND CUSTOMS IN THEATRE OF FORTALEZA IN FIRST REPUBLIC (1889-1930)
At the turn of the 19th century to the 20th century, Fortaleza, the capital of Ceara, Brazil, was in the midst of political clashes brought about by the acciolina oligarchy (i.e. the oligarchy led by Nogueira Accioly) and the transformations which took place by the economic development from the cotton activity. It was in this scenario that the theater conque
IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia. Publicado em: 17/10/2012
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6. A Voz e o Campo de Visão / The Voice and the Field of Vision
This research focuses on studying the actors voice in the improvisational game developed by PhD. Marcelo Lazzaratto called Field of Vision, which has only one rule in its dynamics: follow any movement that appears on the field of vision of the actor. As the Field of Vision is a very simple and vast game, many aspects that make up the voice of the actor in fi
IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia. Publicado em: 21/08/2012
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7. El Giro Conceptual del Teatro: a propósito de la investigación escénica
ABSTRACT The present paper attempts to compare the role of concept in classical and contemporary theatre. It is argued that after performing a representational function, concept has shifted to the theoretical output that underpins contemporary stage productions, previously and subsequently. Finally, by accepting that both language and concept are human dimen
Rev. Bras. Estud. Presença. Publicado em: 2012-06
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8. Smoked Love: estudos sobre performance e dramaturgia do ator contemporâneo
This present research elaborates a reflection on contemporary actors dramaturgy and performance, contextualizing the current treatrical production in the assumptions of the postdramatic theatre, - conceptualized by Hans-Thies Lehmann -, and taking as a pratical experiment the play Smoked Love. It examines the key changes from the dramatic theatre to the post
Publicado em: 2010
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9. Entre espelhos e máscaras: o jogo da representação em As horas nuas / Between mirrors and masks: the game of representation in As horas nuas
Este trabalho busca investigar o jogo de representação no romance As Horas Nuas (1989), de Lygia Fagundes Telles, a partir da construção da protagonista Rosa Ambrósio. Na recuperação do passado pelo exercício da memória, os papéis femininos por ela outrora desempenhados no teatro como atriz misturam-se ao seu próprio repertório e descortinam a en
Publicado em: 2010
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10. Poéticas de um saber brincar: a vez e a voz do fandango
The present thesis aims to get to know and to analyze the elements which make up the poetical performance of the Fandango from Canguaretama confirming/corroborating an eminently theatrical model. It still highlights the producers history, its asset production and its insertion in community where we had contact with two other types of performances: the daily
Publicado em: 2009
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11. Agroecológicos zonings and its consequences in the development of the agricultural production familiar municipal theatre in the State of Pará: the question of the alimentary security of the local population / Zoneamentos agroecológicos e seus reflexos no desenvolvimento da produção agrícola familiar municipal no Estado do Pará: a questão da seguridade alimentar da população local
A região amazônica representa atualmente um conjunto de conflitos de interesses, que apresentam como eixos centrais à questão ecológica e a necessidade de garantir a sobrevivência da população local municipal. O presente trabalho discute a eficiência, eficácia e efetividade de parte dos Zoneamentos Agroecológicos realizados pela Empresa Brasileira
Publicado em: 2009
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12. Arte em tempos de "chirinola" : a proposta de renovação teatral de Coelho Netto (1897-1898) / Art in times of "entrapment" : Coelho Netto´s proposal of theater renewal
In this work, I analyze the theater plays with which Henrique Maximiniano Coelho Netto (1864- 1934) - important Brazilian writer in the turn of the nineteenth century to the twentieth - started his interference in the stage of Rio de Janeiro, specially the "dramatic poem" Pelo Amor! (1897), the "lyric episode" Ártemis and the "ballad in rhythmic prose" Hós
Publicado em: 2009