Theatrical Introduction Process
Mostrando 1-4 de 4 artigos, teses e dissertações.
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1. As fontes culturais elaboradas sincreticamente no teatro anchietano / The cultural sources syncretically elaborated in Anchieta\ s theater
The aim of this work is the understanding on José de Anchieta, a catholic priest, who has developed his literary composition which was distributed in twelve theatrical plays. He connected the European culture strongly influenced by the Christianity with the Brazilian indigenous culture. Some myths and habits described by the historians who had travelled thr
IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia. Publicado em: 15/04/2011
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2. Observar,imaginar e experimentar: introdução à construção de personagens no Curso Livre de Teatro(2004-2007). / Observing, imagining and experimenting: an introduction to the lding of characters on the Curso Livre de Teatro da Universidade Federal da Bahia (2004-2007).
The subject of this study is the description, the analysis and the systematization of the introduction to building characters, realized in the Free Theatre Course of the Universidade Federal da Bahia from 2004 to 2007 when the author of the present dissertation acted directly conducting the actors training process of this course. The initial hypothesis sugge
Publicado em: 2009
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3. Misterioso, mas não indecifrável : um estudo sobre a aprendizagem na iniciação teatral
O trabalho reflete uma pesquisa sobre o processo de ensino e aprendizagem inicial do teatro, desenvolvido pela própria pesquisadora, no ano de 2007, que tem como sujeitos os alunos participantes do Curso de Extensão Introdução à interpretação Teatral: Corpo, Voz, Ação, do Departamento de Arte Dramática do Instituto de Artes da Universidade Federal
Publicado em: 2009
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4. "Cartografia política dos lugares teatrais da cidade de São Paulo - 1999 a 2004" / Politics cartography of the theatrical places from São Paulo city - 1999 to 2004
The purpose of this research was to achieve a critical reflection about the theatrical space in São Paulo city by the slant of Geography in the period from 1999 to 2004. This was done using Anne Ubersfeld and Milton Santos as theoretical references. The subject was investigating to start from the hypothesis that the type of theatrical place is to be a agent
Publicado em: 2007